Stephan Zimmerli collects the stories of people exiled in Avignon and transforms them into landscapes of memory drawn live.

With a practice attentive to the natural world, Giulia Zanvit gleans and collects stones, seeds, grasses or plants, through simple and meditative gestures.

Since childhood, Lucile Notin-Bourdeau has drawn daily with a black ballpoint pen, making drawing a natural extension of her complex speech.

Berna Reale uses the body, through an aesthetic of shock derived from her filmed performances, as a political tool to denounce domination, exploitation, inequality and institutional violence.

Through living, organic and moving installations and performances, Anaïs Roubertou explores the transformations of matter and living things.

Julia Le Dref composes an environment from elements that were once familiar, but have now become inhospitable, traversed by catastrophes and disruptions.

Younès Ben Slimane revisits filmed archives from the 1940s and contrasts them with contemporary images shot in Berber villages in southern Tunisia.

Émilie McDermott presents a project developed around vanished childhood places and the memories attached to them.

Cristiano Codeço De Amorim develops an autobiographical reflection on the politics of desire, masculinities and femininity of so-called masculine bodies.

Using mathematical tools, Laurent Derobert explores the unexplored fields of consciousness and human relationships.

Darius Dolatyari-Dolatdoust explores forms inspired by Iran and its imaginaries in a first collaboration with Hervé Baume, patron of the Parcours de l’Art.

Considering perfume as an art in its own right, Sandra Barré is designing an olfactory curatorship for this edition of Hospitalités, and has invited four perfumers.